Squadron Log
this is a show where the recoil of a scythe rifle can make a 15 year old girl fly and dust bunnies that could probably blow up houses yet the anon chooses to express incredulity on the workings of the moon, fascinating
Anonymous

Awww. Don’t make fun of other anon too much. They are very right!

When I first heard about the moon I was like “…..seriously???” but then I just rolled with it

if Monty Oum wants to have a spinning moon then by god he has a spinning moon

ziamet:

xekstrin PRESENTS: KITTENS!!! (INSPIRED BY KITTENS)
if u don’t wanna read a fic about Team RWBY and Ozpin: Old Cat Lady then u gotta reevaluate ur priorities

[4:21:41 PM] Margaret S: Nora solemnly holds Junior to the window
[4:21:53 PM] Margaret S: “everything the light touches……is your scratching post………”
[4:22:20 PM] Margaret S: “but not Jaune’s stuff because he is really allergic to you”

ziamet:

xekstrin PRESENTS: KITTENS!!! (INSPIRED BY KITTENS)

if u don’t wanna read a fic about Team RWBY and Ozpin: Old Cat Lady then u gotta reevaluate ur priorities

[4:21:41 PM] Margaret S: Nora solemnly holds Junior to the window

[4:21:53 PM] Margaret S: “everything the light touches……is your scratching post………”

[4:22:20 PM] Margaret S: “but not Jaune’s stuff because he is really allergic to you”

with regards to the moon explanation: that isnt how any gravity has worked ever
Anonymous

I know but consider this:

2dcc:

take me to a museum. kiss me on the steps. shove the Mona Lisa up my ass

shaburdies:

hang in there joan

turkey-imported-from-maine:

firelorcl:

meladoodle:

i wanna be a reverse tooth fairy where i rob people and then scatter human teeth on their bed

a dentist

i dont know what your dentist is doing to you but i think you need to go to the police

theduplicitytimes:

6 WRITING TIPS FROM JOHN STEINBECK
Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised.
Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material.
Forget your generalized audience. In the first place, the nameless, faceless audience will scare you to death and in the second place, unlike the theater, it doesn’t exist. In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person—a real person you know, or an imagined person and write to that one.
If a scene or a section gets the better of you and you still think you want it—bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn’t belong there.
Beware of a scene that becomes too dear to you, dearer than the rest. It will usually be found that it is out of drawing.
If you are using dialogue—say it aloud as you write it. Only then will it have the sound of speech.
"If there is a magic in story writing, and I am convinced there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes, but by no means always, find the way to do it. You must perceive the excellence that makes a good story good or the errors that makes a bad story. For a bad story is only an ineffective story."

theduplicitytimes:

6 WRITING TIPS FROM JOHN STEINBECK

  1. Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised.
  2. Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material.
  3. Forget your generalized audience. In the first place, the nameless, faceless audience will scare you to death and in the second place, unlike the theater, it doesn’t exist. In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person—a real person you know, or an imagined person and write to that one.
  4. If a scene or a section gets the better of you and you still think you want it—bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn’t belong there.
  5. Beware of a scene that becomes too dear to you, dearer than the rest. It will usually be found that it is out of drawing.
  6. If you are using dialogue—say it aloud as you write it. Only then will it have the sound of speech.

"If there is a magic in story writing, and I am convinced there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes, but by no means always, find the way to do it. You must perceive the excellence that makes a good story good or the errors that makes a bad story. For a bad story is only an ineffective story."

I need more art/fic where Yang and Nora are just. Destructively best friends. They go hard as SHIT with their friendship.

I need them running across campus propelled by their weapons so they can clash midair for THE MOST EPIC HIGH FIVE IN THE WORLD a la Adventure Time

On top of that, Yang was the only one listening attentively to Nora when she told everyone about her dream during lunch time. How cute is that? Yang and Nora need to be bros. Imagine them just being immediate best friends and doing each other’s hair.

so in conclusion: more Yang/Nora interaction please. If you want to ship it, that’s totally cool too!!!! The more ships the merrier. Just. MORE YANG AND NORA!!!

thugmissus:

xemkgx:

do not fall in love with people like me.
i will take you to museums, and parks, and monuments, and kiss you in every beautiful place, so that you can never go back to them without tasting me like blood in your mouth. i will destroy you in the most beautiful way possible. and when i leave you will finally understand, why storms are named after people.

image

kyoukomami replied to your post: Setting something straight— I have a l…

lets just be honest for a second and admit that talented as he is, John Green can be pretentious as fuck

yeah he’s a manchild imo

I also resent the seeming claim that he’s ~*THE SAVIOR OF YA*~

yeahhhhhhhhhhhhhh no.